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Shoot 16mm! Arriflex 16SR3 Advanced Camera Rental Package
HomeCAMERA Super 16mm Arriflex 16SR3 Advanced Camera Rental Package
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Super16mm Optex 5.5mm T2 Prime Lens
Super16mm Optex 5.5mm T2 Prime Lens  1,000.00฿ / Per Day
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35mm Zeiss Super Speed T1.3 set (18-25-35-50-85 mm) PL
35mm Zeiss Super Speed T1.3 set (18-25-35-50-85 mm) PL  3,000.00฿ / Per Day

Super 16mm Arriflex 16SR3 Advanced Camera Rental Package

 10,000.00฿ / Per Day

16mm Arriflex Kit Includes:

  • Arriflex 16 SR 3 HS/Adanced film camera
  • Integrated Video System for (IVS 16) SR 3
  • Bridge Plate (BP-8), Sliding plate, Support Rod 19mm, 240 mm (2x),
    440 mm (2x)
  • 400’ Magazine (3x)
  • Finder Extension
  • RCU-1with Cable KC-39 (1.5 m.) KC-41(20 m.)
  • 24V Power Cable (2x)
  • 24V Battery (3x)
  • Charger (2x)

!!! Please note that this camera package required Film Loader from our side for your safety shooting

To secure your booking, please select the number of days you require 16mm camera camera, then add to basket and pay the deposit. We will be in touch once the booking has been finalized to collect the remaining cost of the rental.

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  • Description
  • Remarks
Description

 

The look and feel of film is still hard to beat. The most popular professional grade 16mm cameras were made by Arri for your film in Bangkok. Looking where to rent 16mm film camera in Thailand?  FILM SERVICE (THAILAND) is the premier resource for renting 16mm ARRIFLEX cameras in Bangkok and the go-to source for commercial videographers shooting film in Thailand. We have 16SR3 Advanced in perfect condition and well serviced. This ARRIFLEX SR line of cameras has been coveted by filmmakers for decades due to their performance and reliability and they continue their reign to this very day. This ARRIFLEX 16SR 3 / SR 3 Advanced is available for rent in Thailand, whatever you shoot in Bangkok, Phuket or North of Thailand – we will deliver a camera with qualified film crew to your set. With the advanced model the viewfinder brightness has been improved through the removal of the light meter. With its off-set PL lens mount it is easy to change the shooting format from Regular 16 to Super 16. The newly designed film guide with sapphire rollers on both sides reduces film dust development and enhances image steadiness dramatically in telecine transfer.

  • frame rates from 5 to 75 fps (HS version 10 to 150 fps)
  • film counter (switchable from meter to feet)
  • display of: the opening sector of the mirror shutter
  • time code user bits, time code sensitivity readout
  • battery voltage, with warning indication of low battery (BAT)
  • film end (END) and asynchronous camera speed (ASY)

Format Normal 16 / Super 16

The format change from normal 16 to super 16 is fast and simple. With the off-set design of the pl-mount, the center of the image is precisely adapted to the format required. This guarantees optimum lens performance for super 16.

To convert the universal film gate only a small change is necessary. There is no need for a new film gate, which also leaves the original adjustments untouched.

Fiber optic screens with all common markings and format combinations can be interchanged quickly.

PL-Mount

With the pl-mount (Ø 54 mm) and the unchanged rigid flange focal distance all ARRI lenses can be used. For the 16mm lens range with 41 mm diameter steel bayonet, an adapter is available which may remain permanently in the camera even when changing the lens.

Time Code

Time code is the key to all modern methods of electronic post production. As a linking element between film and video technology it is integrated in the ARRIFLEX 16 SR3. The recording module is located in the magazine, where also the time code sensitivity is adjusted. The 80-bit time code fully complies with the SMPTE RP 136 standard, Form C.

Video Assist

The two 1/2″ (inch color and black/white CCD video cameras and the anti flicker module AFP-2 provide an especially bright and high quality video assist. The video-optic-transmission is adjustable from normal 16 to super 16, and reproduces the full image of either format on the monitor.

The standard handgrip is fast and easy to interchange with the video-set. Even with the attached video camera, the viewfinder can pivot by 120° across the camera for comfort. Changing the beam splitter for black/white or color ratio is simple and does not require adjustment.

 

The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. ‘SR’ Stands for Silent Reflex. This VERY CLEAN Arri SR3 Advanced Super16mm Film Camera Package has been serviced by our technicians and ready for shoot in Thailand.

WHY SHOOT ON FILM WHEN WE HAVE 4K, 6K, 8K?

Is it not all starting to look the same? Film is expressive and powerful. There’s nothing that matches the look of film. Film has an ethereal quality to it t7at digital capture does not possess, and will never possess. Film is organic. Rent a 16mm Camera package for your next production. It’s not cheap. But when you compare a Super 16mm film camera to a fully loaded ARRI Alexa package with an onset DIT, you are struck by the savings immediately. 16mm camera rental package is usually half the price of most modern digital camera packages. That is one of the distinct advantages of shooting on Super 16, it’s a relatively cheap film format.
Remarks
  • All payments are due in full before starting the first day of production unless prior payment schedules of arrangements have been made.
  • Half of partial day rates are not honored without prior approval, due to a half day rate will not allow us another half due day to location moves and other extenuating circumstance.
  • All overtime starts at 12 hours from call time.
  • For out of Bangkok shoots, call time always starts when we leave in transportation at beginning of day, and to work shoot time ends when we arrive back to accomindations.
  • All overtime starts at 12 hours from call time.
  • All overtime billed at double time hourly.
  • Non working travel days rate is 50% of working day rate.
  • Per diem required when traveling outside of Bangkok, 500 THB per person.
  • All payments are to be made by wire or bank transfer.
  • This item and any subsequently agreed service supplied in subject to our terms and conditions as outlined at our website: https://rental.filmservice.asia/terms-conditions/

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FILM EQUIPMENT RENTAL IN THAILAND

Find everything you need for your shoot in few clicks. Our web-database connecting all the best deals from rental-houses across all Thailand.

We are a “one-stop” destination for all kind of shoots, carrying the most comprehensive list of stills and motion cameras including lenses & accessories, lighting and grip equipment, at rates that make sense. Our mission is to work side-by-side with professional filmmakers to help them make great films.

Whether you’re looking for LENS RENTAL in Bangkok, CAMERA RENTAL in Phuket, GRIP at Kanchanaburi, STEADICAM at Samui or LIGHTING rental in Chiang Mai –  we’ve got it all at the best price. GUARANTEED.

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