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HomeLENSES Sony FE 50mm f/1.2 G Master Prime Lens (Full Frame)
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Sony FE 35mm f/1.4 G Master Prime Lens (Full Frame)
Sony FE 35mm f/1.4 G Master Prime Lens (Full Frame)  800.00฿ / Per Day

Sony FE 50mm f/1.2 G Master Prime Lens (Full Frame)

 800.00฿ / Per Day

What’s Included:

  • Sony FE 50mm f/1.2 GM Lens

  • Front and Rear Caps

  • Original Lens Hood

  • Soft Pouch

  • UV Filter 82mm with adapter

Fast, full-frame, and future-proof. The Sony FE 50mm f/1.2 GM is the ultimate standard prime lens for professional filmmakers and content creators. Designed for Sony E-mount full-frame cameras like the FX3, FX6, and A7S III, this lens delivers stunning low-light performance, virtually no focus breathing, and razor-sharp 1.2 bokeh wide open. Rent the 50mm f/1.2 GM in Bangkok for Netflix-grade productions, commercial shoots, and high-end music videos. If you\’re searching for \”camera and lens rental near me\” look no further than Filmservice Thailand. We offer a wide range of cinema video cameras and lenses from Zeiss, Sony, Canon, Dulens, Mitakon, Sigma and other great lens brands, providing excellent options for video production companies to shoot anywhere in Thailand and the surrounding regions.

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Sony FE 50mm f/1.2 GM – Full-Frame Prime Lens Rental in Thailand

Available for rent in Bangkok, Phuket, Pattaya, Chiang Mai, and across Thailand

The Sony FE 50mm f/1.2 GM lens represents a critical evolution in Sony’s G Master series — a professional-grade full-frame prime built for filmmakers who require uncompromising optical quality, fast apertures, and precise autofocus performance for cinematic storytelling. Whether you’re prepping for a Netflix Original, a high-end commercial, or a short film that demands maximum detail in low-light environments, this lens delivers. It’s not just a faster version of the older 1.4 – it’s a new tool entirely, re-engineered for today’s production demands.

This lens is designed for Sony E-mount full-frame cameras such as the FX3, FX6, and Venice series — and it complements any modern hybrid or cine-style setup where image fidelity, sharpness wide open, and minimal breathing are non-negotiable.

Why Professionals Choose the Sony 50mm f/1.2 GM for Cinematic Shoots

Faster Aperture, Zero Compromise

With an ultra-bright f/1.2 aperture, this lens offers significantly more flexibility in challenging lighting scenarios than the legacy 50mm f/1.4 versions. But speed alone isn’t the only story. The 50mm f/1.2 GM maintains edge-to-edge sharpness even wide open, something older 1.4 lenses struggled with. When shooting wide open, especially for interviews, food close-ups, beauty work, or stylized handheld scenes, that extra stop makes a difference in both depth of field control and exposure latitude.

Zero Focus Breathing – Ready for Cinema

Focus breathing is often overlooked by still photographers — but not by serious DPs. The Sony FE 50mm f/1.2 GM features virtually no focus breathing, making it a rare native E-mount lens truly optimized for motion. If you’re shooting a commercial, documentary, or Netflix-approved narrative project that includes rack focus or subject isolation techniques, this lens behaves like a cine prime, without needing aftermarket compensation in post or additional rigs.

Cinematic Bokeh and Rendering

Sony’s 11-blade circular diaphragm ensures a natural, creamy bokeh that’s free of onion-ring artifacts. It renders skin tones beautifully and keeps background separation smooth and consistent — ideal for character close-ups or product focus shots. Unlike the older f/1.4 versions, which could produce a nervous bokeh under certain lighting, the GM version keeps everything coherent and creamy, even at close distances.

Built for High-Speed Production

The dual XD Linear Motors provide fast, silent, and extremely accurate autofocus, which is crucial for gimbal work, Steadicam shots, or hybrid shoots where you rely on AF for focus pulls. Even wide open at f/1.2, the lens maintains pin-sharp tracking — a huge advantage for productions working with a lean crew or operating in fast-moving environments.

Compact, Lightweight, Production-Ready

Despite the fast aperture, this lens is surprisingly compact (778g), making it ideal for handheld shooting, gimbals, or car rigs. Compare that to older full-frame 1.2 options from other brands, which often required lens support or oversized rigs. This lens balances well on compact cine builds (FX3, A7SIII, A1), and doesn’t force compromises in mobility or speed.

Real-World Use Cases for Film & Video

  • Netflix-Approved Camera Setups: Pair it with the Sony FX6 or FX3 for shallow DOF interviews or cinematic vérité scenes. Its lack of breathing means you won’t fail QC on tech checks.

  • Commercials & Branded Content: Perfect for beauty shots, talking head setups, and stylized lifestyle campaigns where visual polish is key.

  • Run-and-Gun Documentary: The low-light performance combined with fast, accurate AF makes it ideal for unpredictable shooting conditions.

  • Vertical Video for Agencies: Shooting TikTok, Reels, or vertical ads? This lens gives your portrait-mode shots a real cinematic edge, even under budget constraints.

Available Now for Rent Across Thailand

FilmService Thailand provides nationwide delivery of professional camera lenses for commercial and narrative productions. Rent the Sony 50mm f/1.2 GM today from our Bangkok hub or schedule delivery to Phuket, Chiang Mai, Pattaya, or Samui. Whether you’re shooting a full-scale Netflix feature, a high-impact TVC, or fast-paced documentary content — we’ve got your gear and logistics covered.

Remarks
  • All payments are due in full before starting the first day of production unless prior payment schedules of arrangements have been made.
  • Half of partial day rates are not honored without prior approval, due to a half day rate will not allow us another half due day to location moves and other extenuating circumstance.
  • All overtime starts at 12 hours from call time.
  • For out of Bangkok shoots, call time always starts when we leave in transportation at beginning of day, and to work shoot time ends when we arrive back to accomindations.
  • All overtime starts at 12 hours from call time.
  • All overtime billed at double time hourly.
  • Non working travel days rate is 50% of working day rate.
  • Per diem required when traveling outside of Bangkok, 500 THB per person.
  • All payments are to be made by wire or bank transfer.
  • This item and any subsequently agreed service supplied in subject to our terms and conditions as outlined at our website: https://rental.filmservice.asia/terms-conditions/

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