RED’s costly cinema cameras are mostly used in high-end film productions, while products like Blackmagic Design’s BMPCC 4K/6K and the Panasonic S1H have captured the lower end of the market.
However, last year RED announced the 6K Komodo camera expected to cost around $5,000 that could help it attract lower-budget documentary and indie filmmakers. The official timeline for the RED Komodo’s release still not set
We haven’t heard much about Komodo since RED’s SEO Jarred Land just showed first confirmation that Komodo will have phase-detect autofocus, a key feature if it hopes to compete against cameras like the S1H or Canon’s upcoming 8K EOS R5.
That would make it much more useful for run-and-gun documentary shooting, corporate or news videos and small independent film shoots. In a short video, Land showed how you could use the display to touch focus between different subjects. It worked fairly slowly and had a wobble at the end, but Land said:
We still have miles and miles to go to make this new AF perfect
Unlike other RED cameras that require extra components like a display, storage and audio components on top of the “brain,” the Komodo will have everything needed to shoot out of the box. It’ll record RED’s RAW files on off-the-shelf CFAST 2.0 media, use Canon batteries and be relatively small at four inches on all sides.
The sensor will be roughly APS-C sized (super 35mm) and feature a global shutter that reads the entire image at once, eliminating any rolling shutter. It uses Canon’s big and sturdy RF mount, allowing shooters to use lenses from its excellent RF lens lineup. At the same time, RF mount can easily adapt to cinema PL and other mounts via third-party products from Metabones and others.