Are you planning a visit to the enchanting island of Phuket, Thailand? Whether it’s a romantic escape, a family getaway, or a destination wedding, capturing these moments is paramount. This is where professional videography and video production services come into play.
Phuket may be a paradise, but it often lacks access to specialized filmmaking equipment. That’s where we come in from Bangkok.
300D isn’t a light that I’ve seen fail on a film set, ever. It just works and works even after taking a bit of a beating. Having confidence in my gear is one of the most important intangibles as a working lighting technician.
Best boys are the second pair of eyes and hands to Gaffer or Key Light are necessary for any crew. A best boy is a crewmember who serves as the chief assistant to either a gaffer or key grip. When the best boy works with the gaffer (the head electrician and chief lighting technician), they are the best boy electric.
Andrii Palekha is a Ukrainian, a multi-talented independent filmmaker, producer and screenwriter expirienced on film set either as EP, DP, Aerial DP, drone pilot, MoVI operator.
In 2013th MoVI was heralded as a “game-changer”; It’s a steadicam, dolly, slider, crane… all in one. Let’s look a bit closer at the pros and cons of the gimbals compare to steadicam and see if we can answer these questions.
What’s the deal? Are Steadicams obsolete now? Should you hire a gimbal operator instead of a steadicam operator? Should you get a gimbal or steadicam?
So, let’s look a bit closer at the pros and cons of the gimbals and see if we can answer these questions.
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